Ìdánwò Ọrọ Iṣalaye ẹdun

Awọn idahun ati awọn alaye han bi o ṣe n mu ibeere naa.

1. Iṣagbepọ ọrọ ẹdun ni akọkọ yipada ni abala ti ohun ti a ti ipilẹṣẹ?
   • Bawo ni a ṣe fi awọn ọrọ naa jiṣẹ, gẹgẹbi ipolowo, iyara, ati didara ohun
   • Awọn ọrọ gangan ti a sọ
   • Ọna kika faili ohun ohun
   • Ede ti ọrọ naa
2. In Russell’s circumplex model of affect, what do valence and arousal represent?
   • Speaker identity and loudness
   • Pleasantness and activation
   • Speech rate and pause duration
   • Articulation and pitch range
3. What acoustic pattern did one study observe in an actress’s deliberately portrayed sad speech?
   • Higher RMS energy and fewer pauses
   • No change in any acoustic measure
   • Lower median RMS energy and more inter-word silence
   • A fixed pitch identical to neutral speech
4. Bawo ni awoṣe ẹdun isori kan ṣe sọ fun synthesizer ni igbagbogbo iru imolara lati lo?
   • Nipa atunkọ ọrọ titẹ sii pẹlu emojis
   • Nipa fa fifalẹ ohun ohun lẹhin ti o ti wa ni ipilẹṣẹ
   • Nipa yiyipada awọn eto gbohungbohun
   • Nipa kikọ sii kikọ ifibọ fun aami imolara ti o yan
5. What difficulty did a controllable emotion-transfer paper identify when using reference audio?
   • Selecting a reference that conveys the desired emotion strength
   • Choosing a file format that contains no audio
   • Converting every label into a speaker name
   • Ensuring that all emotion categories use identical pitch
6. For covered providers generating synthetic audio, what transparency measure does Article 50 require?
   • Publishing the source code of every model
   • Marking outputs in a machine-readable and detectable format as artificially generated or manipulated
   • Obtaining an emotion label from each listener
   • Replacing all audio with text captions
7. In reference-based emotion transfer, what information can an emotion embedding carry?
   • A speaker’s written transcript only
   • A guarantee about the listener’s emotional response
   • A learned representation of affective style from the reference speech
   • A replacement for the acoustic waveform
8. What is one goal of cross-speaker emotion disentanglement?
   • Change every word while preserving pitch only
   • Copy the reference speaker’s identity exactly
   • Remove all variation from the generated voice
   • Transfer emotional expression while retaining the target speaker’s identity