Als nächstesNächster Leitfaden
Urheberrecht an KI-generierter Musik
Gesellschaft
Gesellschaftsführer
Under US law, AI cannot be an author.
The Copyright Office registers only works with human authorship, and material generated entirely by AI is not protected. AI-assisted work can still be protected where a human contributes enough creative expression, such as writing, editing, or selecting and arranging material. This matters to anyone who makes or sells creative work with AI tools, because it decides what they can actually own and enforce.
The Copyright Act does not define 'author,' but courts and the Copyright Office have long read it to mean a human being. The Office's Compendium says it will not register works produced by a machine or mechanical process without creative input from a human author. Thaler v. Perlmutter is the clearest test. Stephen Thaler sought to register 'A Recent Entrance to Paradise,' an image he said his system, the Creativity Machine, created autonomously, and he listed the machine as author. The Office refused. A federal district court upheld the refusal in August 2023, and the D.C. Circuit affirmed in March 2025, holding that the Act requires human authorship. Zarya of the Dawn addressed a more common situation. Kris Kashtanova registered a comic book, then the Office learned its images came from Midjourney. In February 2023 it issued a narrower registration covering the text and the selection and arrangement of text and images, but not the images themselves. The Office reasoned that Midjourney's output was not controlled closely enough by the user's prompts for the user to count as its author. In March 2023 the Office issued registration guidance requiring applicants to disclose AI-generated content that is more than minimal and to exclude it from their claim. Its January 2025 report on copyrightability concluded that prompts alone generally do not give enough control, while human expressive inputs, creative modifications, and selection and arrangement can be protected. It also concluded that no new legislation was needed. A common misconception is that using AI at all makes a work unprotectable. The real question is which parts reflect human creative choices.
Sowohl katastrophale als auch alltägliche Schäden durch KI hängen davon ab, wer die Risiken versteht und wer handeln kann.
Die öffentliche und berufliche Bildung bestimmt, ob eine starke Sicherheitspolitik politisch möglich ist.
Klare Erklärungen reduzieren die Vereinnahmung durch Hype, Labor-PR und vages Ethik-Theater.
The human authorship rule is now backed by an appellate decision, so change would most likely have to come from Congress or the Supreme Court. The harder, ongoing work is in the middle ground. The Office will keep deciding case by case how much editing, arrangement or tool-guided control is enough, and courts are hearing related challenges. As creative tools give users more precise control over AI output, more AI-assisted works may qualify. Creators and businesses should expect disclosure requirements to stay, and should document human contributions as a routine practice.
A novelist who uses a chatbot to brainstorm plot ideas but writes every sentence herself can register the novel normally, because the expression is hers.
A graphic novel creator registers a comic whose images came from Midjourney; the text and the arrangement of panels can be protected, but the individual AI images cannot, as in the Zarya of the Dawn decision.
A designer who types a detailed prompt and accepts the first image an AI generates generally cannot claim authorship of that image, even if the prompt was long.
An applicant registering an album cover that mixes a hand-drawn illustration with AI-generated background elements must disclose the AI portion and claim only the human-authored parts.
Das existentielle Risiko wird als Science-Fiction behandelt, während sich die Fähigkeiten verstärken.
Verwechslung von Oberflächenproduktsicherheit mit Ausrichtung unter hoher Autonomie.
Nicht-englischsprachigen und nicht fachkundigen Zielgruppen stehen nur Quellen von geringer Qualität zur Verfügung.
Separate Risiken für Produktschäden, Missbrauch und Kontrollverlust/Fehlausrichtung.
Fragen Sie, welche Beweise Ihre Sicht auf Zeitpläne und Schweregrad ändern würden.
Bevorzugen Sie Primärquellen und konkrete Bewertungen gegenüber Marketingaussagen.
Identifizieren Sie einen Aktionspfad: Karriere, Politik, Finanzierung oder Fähigkeiten – nicht nur Bewusstsein.
Free newsletter
Three verified AI stories every weekday morning, written in plain English. Free forever, no ads.
One email each weekday. Unsubscribe in one click. We never sell or share your address.
Test yourself
Instant feedback on every answer, and a shareable certificate with a verifiable ID once you pass a course.
Support free AI education. AI Understanding is a 501(c)(3) nonprofit — no ads, no paywall, ever. Make a donation
Under US law, AI cannot be an author. The Copyright Office registers only works with human authorship, and material generated entirely by AI is not protected. AI-assisted work can still be protected where a human contributes enough creative expression, such as writing, editing, or selecting and arranging material. This matters to anyone who makes or sells creative work with AI tools, because it decides what they can actually own and enforce.
Thaler listed the Creativity Machine as the author and claimed the work was created autonomously, which led to the refusal on human-authorship grounds.
The D.C. Circuit affirmed in March 2025 that the Copyright Act requires human authorship.
The Office protected the human-written text and the creative selection and arrangement, but not the individual Midjourney images.
The Office reasoned that the system, not the user, determined the expressive elements, since prompts did not give enough control over the specific output.
Applicants must disclose AI-generated material that is more than minimal and limit their claim to the human-authored parts.
Lerne weiter
Weitere Leitfäden zu diesem Thema ausgewählt
Als nächstesNächster Leitfaden
Urheberrecht an KI-generierter Musik
Gesellschaft